Color · April 9, 2026
Why HDR Has Quietly Become the Default for Streamers
Dolby Vision and HDR10+ deliverables now ship on nearly every major streaming order. We break down what that means for your color and finishing budget.
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Reporting, technical deep-dives and field notes from inside Hollywood North.
Featured · Industry · April 22, 2026
Hollywood North is no longer just a shooting destination — Vancouver's finishing facilities are pulling more episodic and feature finishing work back to the city.
Read articleColor · April 9, 2026
Dolby Vision and HDR10+ deliverables now ship on nearly every major streaming order. We break down what that means for your color and finishing budget.
Read moreVFX · March 28, 2026
Our VFX supervisor walks through the tools that are saving 40% on cleanup work — and the ones that still create more problems than they solve.
Read moreDelivery · March 15, 2026
A practical checklist for productions delivering IMF packages — from CPL structure to audio loudness, captions and SDH track ordering.
Read moreArchive · February 26, 2026
Cold cloud storage keeps getting cheaper, but LTO-9 still wins on long-term cost per terabyte. Here's how we structure hybrid archives for our clients.
Read moreIndustry · February 11, 2026
Local productions making the rounds at TIFF, VIFF and Sundance — and the post houses behind their finish.
Read moreGuide · April 18, 2026
From dailies and offline editorial to colour grading, online conform, VFX and final delivery — a producer's guide to choosing a Vancouver post production house in Hollywood North.
Read moreColor · April 14, 2026
DaVinci Resolve suites, Dolby Vision mastering, ACES pipelines and senior colorists — what to look for when booking colour correction in Vancouver, British Columbia.
Read moreEditorial · April 7, 2026
Avid Media Composer, Adobe Premiere Pro, shared storage with bin locking, 24/7 support and assistant editor stations — pricing and workflow norms across Vancouver post houses.
Read moreDailies · April 3, 2026
Sync, colour-timed dailies, transcoding to ProRes and DNxHR, review uploads to PIX, Frame.io and Moxion, plus LTO-9 backups — a breakdown of Vancouver dailies workflows.
Read moreVFX · March 30, 2026
Vancouver remains the largest visual effects hub in North America. We look at how mid-budget productions tap into local VFX studios for invisible effects, beauty work and CG.
Read moreColor · March 24, 2026
Trim passes, CMU workflows, IMF Dolby Vision deliverables and QC — what every producer finishing a Netflix, Apple TV+ or Amazon series in Vancouver needs to know.
Read moreDelivery · March 19, 2026
Netflix Post Partner specs, IMF OPL, audio loudness, captioning, near-field QC and Content Hub uploads — a Vancouver finishing house breakdown.
Read moreDelivery · March 12, 2026
Streamers are standardizing on IMF, but ProRes 4444 XQ still has a role for archive and broadcast. We compare workflows, file sizes and QC requirements.
Read moreColor · March 6, 2026
An ACES colour management pipeline future-proofs your show across SDR, HDR10 and Dolby Vision deliverables — and avoids costly conform headaches.
Read moreIndustry · February 28, 2026
PSTC, FIBC and the BC PST exemption on production services — how to maximize Vancouver post production spend while staying compliant with CRA and Creative BC.
Read moreWorkflow · February 21, 2026
Frame.io C2C, Evercast, Sohonet ClearView and PIX — the remote review tools Vancouver editors and colourists are using to collaborate with showrunners worldwide.
Read moreDocumentary · February 17, 2026
Multi-camera sync, archive media licensing, transcription-driven editing and broadcast delivery for CBC, Knowledge Network, Crave and Netflix Originals.
Read moreArchive · February 9, 2026
Two-copy LTO-9 archives, MHL checksums, indexed catalogs and offsite vaulting — protecting camera negative and finishing assets for the long haul.
Read moreWorkflow · February 4, 2026
How Vancouver picture finishing teams hand off to sound for re-recording mixing, ADR, Dolby Atmos near-fields and printmaster — without breaking conform.
Read moreWorkflow · January 27, 2026
ARRI ALEXA 35, RED V-Raptor, Sony VENICE 2 and Blackmagic URSA 17K — storage, debayer and transcode strategies for high-resolution episodic and feature work.
Read moreFinishing · January 22, 2026
Main titles, end credit crawls, lower thirds and localization — how a finishing house collaborates with motion design studios to lock the look.
Read moreDelivery · January 16, 2026
iTT, TTML, SCC and SRT — formats, frame-rate gotchas and QC tips for closed captions and subtitles on streaming and broadcast deliveries.
Read moreIndustry · January 9, 2026
Suite counts, colour pipelines, VFX capacity and 24/7 support — a non-promotional look at the Vancouver post landscape and what's changed since the strikes.
Read moreIndustry · January 3, 2026
Currency, incentives, virtual production and AI — the forces that will shape Vancouver's post production industry over the next five years.
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